Neo-Nazi Protesters Clash with Police and Anti-Fascist Protesters over Transfer of Theater to The Far-Right

The artists of Budapest’s New Theater bid farewell to their audience in proper style: their last collaboration was a stage adaptation of Thomas Mann’s novel The Magic Mountain. Given the change of directors, the play will only be seen four times during the month of February. More important, however, is  how life inside and outside the theater met through this choice: in the play, Hans Castorp’s suspension in philosophical contemplation comes to an abrupt interruption by political violence, essentially the same kind of violence that has shattered the company’s creative life.

As of February 1, Budapest’s New Theater is under the directorship of the Hungarian far-right. And while the message of the theater’s artists may have been too subtle, the anti-fascist protesters gathered outside the theater on the same day spoke out in much clearer terms against the political gains of far-right extremism. As if any further proof were required that fascism is more than just a fictional element in Hungarian public discourse, neo-nazi paramilitary groups disturbed the event by their counter-protest.

The occasion for the clash between supporters for and against fascism (what a curious contest, one should add) was the appointment of György Dörner to the directorial position of Budapest’s New Theater. The job was awarded to the actor under controversial circumstances by Budapest’s mayor István Tarlós, against the recommendations of the expert panel recruited to evaluate the applications.

Dörner’s application discusses the actor’s claim for the theater in terms of a “just redivision of theaters” which, as he states, is just as much of a current issue as the just redivision of land. In the same document, he vows to limit the theater’s repertoire to Hungarian plays and to rename the theater “Hinterland” (or Home Front) Theater.

At the time of his appointment, Dörner also indicated that he would name István Csurka as the theater’s “intendant.” Originally a play-wright, Csurka is better known today as the main ideologist behind the ultra-nationalist and anti-semitic Hungarian Truth and Life Party – currently a fringe group in Hungarian politics. Dörner, whose political affiliations with far-right parties have been proven in many ways throughout the years, declares openly in the application that his ideas about theater derive from Csurka, whom he refers to as his “fatherly friend.”

Dörner’s selection as the director of the Budapest theater resulted in international outcry. As Markus Kupferblum wrote in a memorandum to be read in theaters all over Europe this week, his appointment “broke taboo.” Letters were pouring in from luminaries of the performing arts from all over Europe (see, for example, an open letter placed in the Guardian this month, or a letter by the European Theatre Convention from last October); a petition protesting the decision was circulated among the citizenry n Hungary. Many among the artists and the creative staff in New Theater have already made up their mind to leave the company. Hungarian play-wrights are refusing to co-operate with Dörner or grant rights to the institution now under his leadership.

In response to the protests, Tarlós overrode his own appointee on the most outstanding points of controversy – as such, the theater will remain to be known as New Theater and Csurka may not participate in the work of the institution in an official function – but the earliest he is willing to review his decision is a year from the start of the theater’s operations under the new director.

This seems to be the overall strategy of the Hungarian government in their attempts to appease international critics. Though Budapest’s mayor was willing to make token admissions of his disapproval of the political agenda of his appointee, he stood steadfast in his decision. Tarlós, who won the mayoral seat of Budapest on a Fidesz ticket, seems to enjoy the full support of Hungary’s government: ministerial-level officers or the prime minister at no point thought it necessary to question the appointment or to distance themselves from Tarlós’ decision.

In fact, the New Theater affair was only one among many other initiatives in the Hungarian government’s right-wing culture wars – which were far from limited to the performing arts.

Protests have taken place against the appointment before, and as such it was little surprise that one would also be held on February 1, the day on which György Dörner was to officially take over leadership of the institution. What was different this time around, however, is that groups with militaristic agendas, extreme even by the standards of the Hungarian far-right, registered their intention to counter-protest the demonstration. Previously, far-right party Jobbik and the various para-military organizations close to the party were also critical of Dörner’s appointment: in the past, Dörner has always been closer affiliated with Csurka’s Hungarian Truth and Life Party, their far-right rival.

This time, however, not long after MEASZ – the Magyar Ellenállók és Antifasiszták Szövetsége, the Hungarian Resistance Fighters’ and Antifascists’ Alliance – announced its intention to stage a final protest against the replacement of New Theater’s old director, several far-right organizations called on their members to stage a counter-protest. In the following words:

“The ‘tolerants,’ who are tolerant exclusively of themselves, naturally cannot accept that one small institution of cultural life, otherwise dominated by anti-Hungarians, does not wish to play to their tunes. Their almost total rule of the media; the talentless and hateful jewish wirtschaft imposed on our film making; the holocaust business and gypsy species-protection taking place, publicly funded, in our schools and on every channel; defaming and pumping our nation at an industrial scale are not enough for them. They are right, by the way, because … even a small drop of the truth might serve as a catalyst to the collpase of their satanist empire. Yes, the so-called anti-fascists have skin on their face and hoof [on their feet] to protest on February 1, just because the excellent Hungarian actor György Dörner ‘dares’ to direct a theater.

Let’s not let [this happen], let’s show these zionist scums that the country is our homeland and not their lease-site. …”

This announcement was issued collectively by a number of organizations. Betyársereg (a group whose self-professed aim is to “resurrect the genetics of the Hungarian fighter,” and whose leader Zsolt Tyirityán made remarks in August about “pulling the trigger on a rifle, for example at the sight of a skin color of any shade [other than white]”) was one of them. The New Hungarian Guard, Sixty-Four Counties Youth Movement, the Hungarian National Front and the Somló Guardshield Alliance (Somló Védpajzs Szövetség) was also among the official signatories.

It is likely that several other groups brought sympathizers to the counter-demonstration. For example, members of the For a Better Future Civic Guards were seen at the protest, and though Jobbik did not officially join the mobilization, the party’s legal personnel were seen at the demonstration’s site. Balázs Lenhardt, a Jobbik member of the Hungarian parliament, and László Toroczkai, president of the Sixty-Four Counties Youth Movement and regional representative of Jobbik, were among the counter-protesters.

If the protest outside of the theater had not been targeted by such a wide-reaching alliance of far-right paramilitary organizations, it would hardly have warranted international attention: only several hundreds gathered to protest Dörner’s appointment, as well as fascism in all of its manifestations. Vilmos Hanti, president of MEASZ urged those present not to allow the far-right to spread further in the country. For this goal, every democrat and anti-fascist must come together, he told the demonstrators. Fruzsina Magyar, another speaker at the rally quoted in translation by the AP told the audience that “[w]e have to unite against this extremist, murderous ideology. To oppose it is not a political issue, but a moral one.”

The counter-protesters of these sentiments numbered approximately two to three-hundred protesters; according to their spokesperson, they had arrived on buses from all over the country. As only a month ago at the protest outside of the Opera House – which is only a block away from New Theater’s building – yet again the police failed to separate the two protesting groups. It is impossible that they did not anticipate a confrontation: that both the anti-fascist league and members of far-right paramilitaries would hold a protest has been known for a week.

As a result, a group of about fifty far-right protesters were able to position themselves in the middle of the crowd, close to the stage. Their yelling and hassling made it difficult to proceed with the plans of the demonstration. Announcements were made from the stage asking the counter-protesters to leave, to no avail. “Nazis, go home!” chanted the crowd. “Dirty Jews! Traitors!” yelled the counter-protesters in response.

It was at this point that police in riot gear entered the crowd to separate the two groups of protesters. According to eye-witnesses, the counter-protesters clashed with the police; several from the far-right groups were brought down on the ground by the police, two or perhaps three individuals were taken into custody.

At the conclusion of the program, the participants of the anti-fascist demonstration left in close formation, guarded on both sides by the police, to join another demonstration under way on Kossuth Square, where the István Bibó Society for Public Life held its remembrance of the declaration of the second republic of Hungary. The group was followed by the counter-protesters, who continued their disruption throughout the second protest, though this time without incidents or arrests.

You can watch a video of the protest outside of New Theater here:

At around 0:30 in the clip, the counter-protesters are trying to push through the line of police separating them from the anti-fascist protesters. Between o:43 and 1:00, the speaker is interrupted by the counter-protesters, who are chanting “hazaárulók” (traitors). At 1:00, the demonstrators chant “nácik haza” (nazis go home); and the announcement is made to the police that their aid is requested against the counter-protesters at 1:08. At 1:40 you can hear one of the protesters yell “rohadt zsidók” (damn jews), followed by more “nácik haza” (nazis go home) from the protesters. Be sure to watch all the way to the end, where you can see the Guards and hear their battle cry: “Adjon az isten” (God give us) – “szebb jövőt” (a better future).

Related: I recently posted information about news of a recent court decision, which makes it possible for the Hungarian Guard to continue existing in this manner in spite of being officially banned.

This entry was posted in Fidesz, Hungarian far-right militias, Hungary, New Theater (Új Színház) and tagged , , , . Bookmark the permalink.

6 Responses to Neo-Nazi Protesters Clash with Police and Anti-Fascist Protesters over Transfer of Theater to The Far-Right

  1. Wondercat says:

    Please be assured that you are read and appreciated.

  2. Daniel says:

    Great article. I think that demonstration really sent a message. First of all it was good to see, that the police was helping the peaceful protesters execute their basic democratic right. I think that it is a huge step forward for Hungary as a democracy, that the police can finally distinguish between protesters and hooligans and can maintain order on the streets without rubber bullets, tear gas and masked policeman without any identification. Makes every democrat feel safer. At least safer, than a couple of years ago.

    The other very important message of this demonstration for the whole western public is also obvious: the far right in Hungary, with all its power and all it´s organisations and all its nazis is only able to mobilize about 50 people.

    That is why this country is so amazing and that is why it hurts so much for someone, who loves Hungary such a heartbreaking story, if people try to paint it as a xenophobe, anti-Semitic and nazi country.

    Oh yeah, just a short notice for those, who are not familiar with the “anti-fascists” of Hungary: these are those communists, who think that the invasion of Hungary by the sowjets, the massacre in 1956 and the communist dictatorship was justified, because only that way they could stop the raging fascism in Hungary.

    Those 2 groups are like peas and carrots. extremist among each other 🙂 Even though i don´t agree with any of them, I´m still happy, that these 2 groups can demonstrate side-by-side without violence, thanks to the new government.

  3. woorry says:

    Where are the fascists ? It is ridiculous.
    Hungary is calm and there is much less hate then 2-3 years ago!
    THIS BLOG IS THE HATE CRIME – against Hungarians who are minority in Europe.
    Whose benefit ?

  4. Scott Moore says:

    Daniel – I’m sure the far right could mobilise plenty more than 50 people if it wanted to. They already have this theatre under their control, so clearly they didn’t need to send too many thugs there – just enough to warn the anti-fascists not to try anything.

    woorry – what a stupid comment (“Hungarians…are a minority in Europe”)! Every group is a minority if you define the universe accordingly. Europeans are a minority in the world. Human beings are a minority in the galaxy (if you believe in aliens, which is not as wacky as many beliefs of a typical Jobbik supporter).

    The fact is that 23% of Hungarian voters in opinion polls say they support Jobbik. I’m sure not all of them agree with some of Jobbik’s more extreme views, but it is still very strong evidence that there are plenty of fascists in Hungary!

  5. S.O.Meone says:

    far-right itself is a ridiculous term. the majority cant be far-right, or far-left. its mathematics u dumbs. the majority is the centre, the median.
    and there are only jewish nazis in Hungary.

    In 1991 György Landeszmann then chief rabbi said in an interview that jews represent culture in Hungary exclusively and we hungarians are peasants. the nazi had to flee to Canada but his ideology stayed and prevailed.

    now every theater is ran by jews. commercial TVs are ran by jews, film industry is ran by jews and everyone else are nazis.

    they were ousted from the government, now they r losing the control over theaters…

    wind of change.
    u got your country. go there and leave us alone.

  6. 0jr says:

    I f I read it right after the gypsies returned to gyongyospata morvai the crypto zionist and a brussel parlimentairian had a secret meeting with the gypsies there after which the garda was banned .The agrement and order came down to train,arm ,supply and the gov. monetarily support a gyspy milltia.
    Like in Hungary the solidarity movement in Poland had a leader lech walesa who claimed to be a founder .The 11 founders were all jailed, murdered and disappeared after it’s founding before leck appeared and was sanctioned.After lech retired he confessed he was not only a founder but a secret member of the secret police the whole time.I believe that is exactlt the case in Hungary concerning vona and morvai.I believe they are all traitors and even promoting jews as mayors in Hungary.I believe they are also crypto gypies,jews and zionists.

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